Saturday 30 April 2011

Special Feature: TV Shows-Part Two


***WARNING***
THE FOLLOWING POST MAY CONTAIN SPOILERS AND CONTRADICTIONS THEREFORE IT MAYBE UNSUITABLE FOR SOME FUCKS. LIKE LIAM NEESONS COCK
 ***YOU HAVE BEEN WARNED***

***ADDITIONAL WARNING***
THIS POST WILL BE VERY LONG. LIKE LIAM NEESONS COCK.
***YOU HAVE BEEN WARNED***
***AGAIN***


As a film critic I know that it is my responsibility to see everything and comment on it despite my pre conceived conceptions. For example, just because I know for a fact that 'Scre4m' will be shitter than a shit lunch consisting of a shit sandwich, packet of Disco shits, granny smiths shit and a nice mug of piping hot shit, it doesn't mean that I should opt to miss out on it entirely and neglect to review the film for my flock of floundering film fanatical fans that fail to fucking subscribe and follow fucking movies, for filling my fear of foreboding which frankly frustrates its frantic and financially fucked film fanatical founder. However when faced with footing the near ten pound bill required to take in 'Scre4m', I decided that food was more important and agreed that I should wait for a decent film to come to the big screen before I part ways with my hard earned pictures of the queen. Rest assured my little shitlets, 'Scre4m' will make a great "Missed Movies" review later this year, I promise to tear it a new arse hole, then proceed to stitch it to its own face.

In the mean time here is part two of my look at the many television shows I have watched over the years. This week I will continue to glaze over the TV shows that no longer flirt with our eyeballs via the mystical pictorial box, focusing on the more comedic contributions.


I'll start of with the first sitcom I ever took an interest in. 'Friends' should be known by half wit ameba still reading this prime piece of literary work. It is the story of six friends who live in New York, they start off as twenty somethings with shitty jobs and over the course of ten years degrade into thirty somethings with pretty decent jobs. That is the entire premiss, it never changed and never had to. From the very start of the show it received rave reviews and escalating viewership. Its stars went from lesser known TV stars to worldwide A-listers who still make an impact on Hollywood today. At the beginning the show was very well written, the characters realistic and the comedy consistent, in fact the first three seasons are almost flawless in terms of prime time american sitcom. There is a captivating love story, decent character development for all characters except Joey who doesn't need it early on and a high emphasis on modern day life and the truly mundane experiences we all go through in our own daily lives. From this point on however 'Friends' started to lose its edge.


The jokes started to fade away as each season passed, the humour of the show shifting from the writing to the character delivery alone. I'm not saying that the show stopped being funny, but I became very aware that I was only laughing because I knew the characters and what they were saying was 'so them'. The situations got a little larger and harder to believe as well. Characters jetting off at a moments notice to exotic locations, half baked episode ideas were cooked up simply to accommodate high profile guest stars and the characters love lives got increasingly dramatic and serious causing the tone of the show to be a little off at times. By the time the show ended it was a shadow of what it started off being, relying heavily on its early greatness to uphold the increasing lack of real content. Even one of the characters (Joey) was almost abandoned later on and only used for cheap one liners here or there, a shame considering in the early stages of the show the character was clearly supposed to mature and achieve. Instead Joey digressed to the intelligence of a toddler and simply stayed put.


Overall the show wasn't bad, I've seen every episode and am happy to have done so. The amount of memorable moments that 'Friends' supplied takes up a hefty space in my ever powerful brain. And the shows influence on the world and television as a whole is not one to be underestimated.
Friends gets...

3 out of 5
Notable episodes: The one where everybody finds out, The one where no ones ready, The one where Ross got high, The last one

The balance between drama and comedy is something which almost all sitcoms have to tread sooner or later. Most shows establish themselves in the comedic senses first then gradually move on to the dramatic stuff. However when Bill Laurence set out creating 'Scrubs' he wanted that balance to be established from the get go. 'Scrubs' tells the story of John Dorian, a young intern at Sacred Heart. During his time at the hospital JD has to deal with sickness, death, addiction, friendship and heart break while working with his best friend (Turk), the object of his lust (Elliot) and a mentor who can't stand the very sight of him (Dr Cox). The show's heavy and serious subject matter was coupled surprisingly well with the shows outlandish and often surreal comedic nature. Many episodes would make you laugh hysterically one minute and sad the next. It was 'Scrubs's near perfect timing which made this work, something which the show managed to keep running successfully for most of its eight season run. Sure it has a few dud episodes and pointless story lines but overall 'Scrubs' was remarkably consistent. Each episode brought something funny and original, while never resorting to simply repeating itself unless intentionally doing so for comedic effect. Another notable aspect of the show would be how each season matured at the same rate the characters did, something which should go unnoticed if each season is watched in sequence. There was a season nine produced recently, but was never intended to be considered as a continuation of the story, which it wasn't as it featured a mostly different cast of characters. It also sucked worse than a leaf blower so I've decided to ignore it in order to strengthen my argument. To sum this up, 'Scrubs' will either be loved or hated by viewers. I was a fan of this show since its very first episode was broadcast, it's seen me through two break ups, my transition from child to extraordinary man and makes me feel good even when I can recite the lines alone with the characters. So to me, 'Scrubs' is special, and holds a lot of significance and that's something very few shows have.
Scrubs gets...
4 out of 5  
Notable Episodes: My Old Lady, My Screw Up, My Lunch, My Fallen Idol, My Overkill, My Cake, My Fruit Cups, My First Day

While most sitcoms get by with simple jokes that will please everybody in order to appeal to the dumbed masses, 'Frasier' opted to take a more intellectual approach. Based on a minor character from the American institution sitcom, 'Cheers', 'Frasier' couldn't be more different from its origin. It was a show that required your attention, required a little bit of thinking on occasion and endeavored to deliver something unexpected of your average everyday sitcom. 

Frasier has returned to his hometown of Seattle, in order to start his life over. He has a job at the local talk radio station and lives with his aging and street smart father, whom he has a complicated conflicting relationship with. His  snobby, upper-class brother Niles and his wise cracking working class radio producer Roz are his only true friends for the duration of the show, which details Frasier's numerous failed relationships, business endeavors and often doomed attempts at portraying himself as one of Seattle's most distinguished residents. The show's charm lies within its characters who are all perfectly written and played. The writing as a whole for this show was fantastic, a surprising statement taking into consideration that the show intentionally changed writers every season. Most of the shows best episodes are to be found in the first half of the shows eleven seasons, the funniest of which often contain heavy amount of farce delivered in a way very much inspired by 'Fawlty Towers'. The show took an inevitable slope during the later seasons when the show fell into a predictable formulae, this however was fixed by the time the show reached its emotional and exceptional ending. 'Frasier's most memorable episodes for me tend to be the ones that brought back Frasier's overpowering and all out hilarious ex wife, Lilith, who since my first exposure to the character has remained in my top five sitcom favorites and will probably remain there for a long time to come. It is also worth noting that Niles is at his absolute best when pining after health care professional/Frasier's housekeeper, Daphnie, its in these sense where you will find some of this great shows best one liners.
Frasier gets...
3 out of 5
Notable episodes: Ham Radio, The Two Mrs Cranes, Dial M for Martin, High Crane Drifter, The Doctor is Out, Miracle On 3rd or 4th Street 

Sometimes a really good sitcom will be created and for some reason or another people just don't tune in to watch it. Usually this is down to poor advertising, sometimes is because a show is put in a wasted time slot and forced to compete with a major sports program. 'Arrested Development' however was none of these things, it was held in high regard by critics, it featured some of the smartest and sharpest sitcom writing I've ever known and yet when it was originally broadcast nobody watched it. The reason for this is I feel the show wasn't watched by enough of its key American demographics because, honestly, their too fucking 'bang their head on a wall while trying to eat a door knob' retarded. 'Arrested Development' is not a show for people who can't pay attention and actually listen to every word of dialogue a show send their way. The scripts were tight, plot driven and chock full of references either to the outside world or past episodes. Credit to 'Fox' who moved the show around a lot trying to bump up the viewing figures for the show and keeping the show on air long enough for it to complete its story. It could have run for longer and I'm in no doubt that it would have been great but leaving this show at three seasons works well. I wanted more and this is heaps better than leaving a show when its stale and crusty and needs help with its oxygen. If you haven't seen 'Arrested Development' then I strongly urge you to do so now, buy the box sets, watch em' back to back and discover a remarkable gem of a show that will make you laugh more with every re-viewing. Oh and while I'm taking about re-viewing, Gary I want my box sets back you hoarding son of a bitch.
Arrested Development gets...
5 out of 5
Notable Episodes: Every mother fucking one of them, in sequence!


'Trailer Park Boys' is a show I'll put money on you having not seen. It was a tiny show that only ever made it semi big in Canada, where it was created. It tells the story of Julian, Ricky and Bubbles, three friends who live in a run down trailer park with some of the most despicable and disgusting characters ever created. The three boys have the same goal in each season, to get rich quick usually by committing petty crimes which are doomed from the start. Always trying to outsmart the boys and get them thrown in jail is Jim Lahey, the trailer park supervisor and resident drunk bastard. For Seven seasons, two specials and two movies, 'Trailer Park Boys' let its grim story unfold and I think it's hilarious. It would be fair to say that the show isn't immediately accessible, upon first glance it looks badly written, acted and poorly constructed. But as the show progresses each of these factors improve, especially the acting which while wooden and uncomfortable in the first season becomes completely believable and a joy later on. The movies are not up to scratch with the TV shows themselves but that doesn't damage the show what so ever. Rather than recommend this show outright, I'd say borrow it from someone and see if its to your liking, it certainly is t mine. Oh and while I'm on the subject of lending 'Trailer Park Boys', Gary I want my box sets back you leeching son of a two bit whore.
Trailer Park Boys gets...
3.5 out of 5
Notable Episodes: Conky, The Green Bastard, Closer To The Heart, Where The Fuck is Rady's Barbecue, Say Goodnight To The Bad Guys

The penultimate review of this post will be about the only animated TV sitcom that I have been able to watch and enjoy. 'South Park' has been around for a long ass time and has, at the time of this post just entered its final season. Its come along way over the past decade and a half. Starting off a a crude cartoon simply put out to shock people it has now become a show more focused on social commentary and parody. It's not always been an amazing show, each season has its far share of turds, but for every turd 'South Park' squeezes out it lets lose several golden nuggets of happiness. Matt Stone and Trey Parker have had a lot of controversy hurled their way since the start of 'South Park', not that its been unintentional or even unwarranted. South Park will offend or upset everyone at some point, its a large part of the ethos for the show. It ridicules everything and everyone without exception, it doesn't discriminate and that is something a lot of people don't tend to realize. This kind of show could only exist with that kind of policy, if it didn't have that then it would be seen as a hate piece designed to pick on people, which it doesn't, much. There is little point in me reviewing this properly seeing as everyone who will see 'South Park' has done by now and knows if its their acquired taste or not. It mot certainly is to mine and will forever be a product of its generation and time. It wont live much past its original broadcast period but who the hell cares, to be watching it as it was produced has been awesome and I'll miss it when its gone.
South Park gets...
3 out of 5
Notable Episodes: Passion Of The Jew, Scott Tenorman Must Die, Sexual Harassment Panda, Make Love Not Warcraft, Cartmanland, The Death Or Eric Cartman, Two Days Before The Day After Tomorrow, Trapped In The Closet,  Bloody Mary, Cartoon Wars.

I will wrap this post up with my one of my favorite sitcoms of the minute, 'Curb Your Enthusiasm'. Larry David is the guy who makes all the decisions you would and thinks the same thought you do but somehow always manages to take shit for it due to what is deemed socially acceptable. 'Curb' is full of fantastic insight and comedic observation on how absurdly people are expected to act in todays society. Larry's takes on doctors, married life, restaurant etiquette, product packaging, celebrity status and everything else under the sun is unashamedly honest, spot on and hilarious. Each season focus's on a new chapter in Larry's life while turning out well crafted and complete episodes leaving very few stones unturned. I'm amazed that 'Curb' has done as well as it has considering its depth and matureness. I can't help but feel this show would have gone under if it weren't for David's acclaim for 'Seinfeld'. For whatever reason though, 'Curb' deserves the praise it has received and will go down in history as a landmark in television comedy history. If only more shows could make me laugh so hard at myself and the bizarre goings on happening around me on a daily basis.
Curb Your Enthusiasm gets...
5 out of 5
Notable Episodes: Kamikaze Bingo, Krazee Eyez Killa, Opening Night, The Freak Book, The Doll, The Grand Opening

I will stop this lengthy insight here before my fingers fall off with exhaustion. While I'm very much aware that I missed a few key shows, I can honestly say I don't care. Honorable mention goes out to Sienfeld and Cheers. Two shows that have had huge significance when it comes to the show contained in this review. I didn't review them properly however because one of them I don't really like and couldn't finish and the other I'm still watching. I'll let you work out which is which!

Coming up soon is my look into the wonderful world of Joss Whedon, British contributions and the shows that currently change my twisted life perspective.    


Sunday 24 April 2011

Special Feature: TV Shows-Part One


***WARNING***
THE FOLLOWING POST MAY CONTAIN SPOILERS AND CONTRADICTIONS THEREFORE IT MAYBE UNSUITABLE FOR SOME FUCKS. AND IT COULDN'T GIVE A SHIT ABOUT THE ROYAL WEDDING.
 ***YOU HAVE BEEN WARNED***

***ADDITIONAL WARNING***
THIS POST WILL BE VERY LONG. SO GO AND TAKE A LEAK NOW, BECAUSE I AINT STOPPING.
***YOU HAVE BEEN WARNED***
***AGAIN***

Television in many ways, is superior to cinema. A statement that will either make or break my reviewing "career", but a statement I completely believe in. Television shows have come a long way since the likes of Quincy ME and Columbo. The budgets have gotten larger, the scripts have improved and the caliber of actors that television attracts has turned the industry around to the point where Cinema now offers it's viewers a hell of a lot less for a hell of a lot more. The reason for this switch in pretty simple really, there is a lot more potential to tell a decent, invested story over the course of a television series which lasts over a thousand minutes than there is to do the same in a ninety minute feature film.

The more attentive of you may have managed to work out that this is going to be part one of a multiple part series, looking at Television shows that have caught my attention over that last few years. While I am very impressed that you managed to piece this information together using your meager excuses for cerebrum, may I point out that I literally spelled it out to you during the title for this post.

So without further ado, I bring you my critique on episodic television.

I will start with the first TV show that averted my gaze towards the small picture box. And (in many ways) a show that instigated the change in television that is still felt to this day. I am talking about Star Trek: The Next Generation. 'TNG' was a show doomed to fail from its very conception. A spinoff series based upon a universe established in a failed Sci-Fi show from the sixties, that for some reason still lost on me, has possibly the largest following of any television show ever. At the time 'TNG' started being broadcast fans were outraged at the idea of having a Star Trek without Kirk, Spock or McCoy, and as a result it was detested despite it being far superior in many ways. 'TNG' has better characters, more involved story lines and a much wider, more intelligent philosophical view than that of 'The Original Series'. The ideas of racial equality, exploration and understanding as well as mutual respect were ahead of their time back in the late eighties. On top of this the characters were well fleshed out, many of which deeply flawed and the story lines were on numerous occasions deeply involving, thought provoking and exciting. However, 'TNG' didn't get it due respect until the end of its third season.  

'The Best Of Both Worlds' was game changing television. A typical 'Zombie' horror/invasion story line that pitted the Enterprise crew against a race of cyborgs with seemingly no weakness, the Borg. The Borg were terrifying, scary villains that made me scared of hoovers for months and to make matters worse, they manage to capture and assimilate Captain Picard in one of the most nail biting, cliff hanger, series endings ever broadcast. It was this moment that changed the way people looked at episodic television. After this, people wanted and expected more from their shows, a simple story that wrapped itself up nicely after forty minutes simply wasn't enough, and rightly so. From this point on, episodes had consequence and 'TNG' following grew massively. While the show did miss the mark on many occasions the writing as a whole was amazing, and the staff who began their writing careers on 'TNG' went on create many of recent years biggest shows including 'Heroes' and 'Battlestar Galactica'.
Start Trek: The Next Generation gets...

3 out of 5
Notable Episodes: Yesterdays Enterprise, The Best OF Both Worlds, Measure Of A Man, Tapestry.

A widely overlooked TV show from the nineties is 'Due South' The adventures of Constable Benton Fraser, a Canadian Mountie who is forced into moving to Chicago. There he teams up with street wise cop Ray Vecchio and the two set to work solving crimes with a lot of assistance from Frasers deaf wolf Diefenabker. 'Due South' was incredibly simple. Each week there was a new case and each week it got solved, yet still very few people in America understood it. The blend between cop drama and oddball comedy was too jarring for many viewers which is why 'Due South' got cancelled twice during its four season run. It's saving grace was the audience fan base it collected in both Canada and the UK who understood that the charm of show lied in the characters and the shows quirky sense of humour. 'Due South' was essentially a canadian comedy, its sense of humour was deprecative and dry which is undoubtedly why it succeeded both with me and my fellow Brits. Each episode had its own screwed feel and a surprising lack of ridged structure allowed the show to go places that audiences couldn't expect. If your a fan of farce, as well as very canadian humour then 'Due South' should be a show you should see. Plus it has one of the most awesome theme songs ever written.
Due South gets...

4 out of 5
Notable Episodes: Manhunt, The Gift Of The Wheelman, Victoria's Secret, Some Like It Red, All The Queens Horses, Call Of The Wild.

Now I jump forward to 2001, just the wrong side of 9/11. For some reason the year 2000 was seen as a time when television had to do new things. Most of this resulted in an abundance of reality TV shows which today clog up our screens like an oversized shit just round the u-bend. It did however start the production of a TV show that brought us a legendary hero that the world needed. A man who would single handedly protect the american people from the terrorist scum time and time again. A man who never needed a shit, rarely needed food, and no matter how much stuff he got right would always be put down by the same country he swore to protect. That man, is Jack Bauer. '24' was a tense, excruciating show to watch when it first started. Nobody could be trusted, anything could happen and there were plot twists happening that turned your brain into something that resembles week old mushy peas. From the start of season one to the end of season five, '24' was almost unbeatable television, it was like watching a new 'Die Hard' on a weekly bases. Kiefer Sutherland portrayed Bauer extremely well, making you believe this guy could beat the odds every day despite being deeply emotionally scared. The plots were outrageous yet undeniably addictive and any main character could (and usually would) wind up dead without a single moments notice. It is worth mentioning that seasons six through to eight were a little bit rocky due to the show really having run its course but the sheer dizzying heights of the earlier seasons kept me, as a fan going and still left me wanting more. Yet again this was a show that changed the way TV was produced, it was a bar to be met, a bar many have failed to level.
24 gets...
4 out of 5
Notable Episodes: 10pm-11pm (S1), 11pm-12pm (S1), 10pm-11pm (S2), 6am-7am (S3), 7am-8am (S5)

Now, all of this positivity has left me feeling rather sick, so allow me now to look into some of recent pasts lesser liked Television, excursions.

Some TV shows have a great premiss, good characters, tons of intrigue and still manage to fall completely flat. 'Lost' is one of these shows. Back in 2004 'Lost' captured the imagination of seemingly everyone I knew, myself included. They were lost with no idea how or why it happened, on an island that didn't seemed to exist which is inhabited by scary monsters, ghosts and mysterious 'other' people rarely seen. Over the first two seasons the mystery seemed to be slowly unravelling, some answers were given while new questions arose and everything seemed to be going somewhere, then season three happened. The pacing was lost, the questions mounted up too quickly and things on the island went from mystical to downright stupid. The problem was that this show was not supposed to be a long term idea, when the show started the producers knew where it was all heading, then because of the shows popularity, they were forced into prolonging the series way past what the story could handle. By the time the show entered its fifth season some absolute novice decided time travel was the way forward, something which any film or television fan knows is the hallmark of writers who have nowhere else to go with a story. The end result in this was the show itself getting lost in a move that made its very title seem ironic. Midway through most of the survivors had already made their way off the island which took away the shows greatest pull and I feel lost this show completely for many. By the time the misery ended the show couldn't possibly answer all the questions it had brought up and as a result the show never seemed complete. Sad thing is though that by the time the final episode aired, nobody really cared anymore.
Lost gets
2 out of 5
Notable Episodes: Pilot (Season One, Ep One) and The End (Season Six, Ep 17/18)

Another show that started off well but quickly lost its way would be 'Heroes'. The first season of this show was fantastic. The premiss of the show is that there are people with super powers living amongst us but living in secret, a concept that has been established in the comic book world for years. The difference with 'Heroes' however is that these people are trying to live normal lives, but keep getting dragged into increasingly dangerous situations that have the potential to bring an end to the world as we no it. Like I said the first season was great, the characters were fun and interesting, the threats were scary and the plot was so thick you could smear it on a bagel. Really clever writing coupled with amazing art direction set a high standard for this show very early on, a standard which sadly it couldn't reach during any of its three remaining seasons. Seasons two, three and four all got hopelessly messy, the plots became too complex, there were too many new characters and the shows premiss was quickly lost behind an overabundance of smug comic book action. In the shows defense however I feel this show would have achieved its initial greatness if it weren't for the 2007 writers strike. The strike forced the show to finish its second season half way through a major story arc which apparently would have killed off many of the cast members. Had this happened there would have followed a higher emphasis on the drama of the show and forced the characters to band together in order to overcome issues. Alas season two ended early and the writers were left with too many characters to service and instead of writing the deaths into the show again, they instead tried to push forward multiple plots to provide each character with a story. The end result, 'Heroes' got cancelled on a cliff hanger at the end of its fourth season due to lack of viewing figures and excessive production costs.
Heroes gets...

2 out of 5
Notable Episodes: All of the first season.

Seeing as the size of this post is bringing it closer to the stage where it will no longer be able to leave the house without a wall or two being removed, I will end todays installment on a high note.

'Battlestar Galactica' was and always will be a truly astonishing achievement. Based on a popular, albeit badly dated sci-fi show from 1978. It was produced at a time when sci-fi had become mainstream due to the unfounded popularity of the evil beards 'Star Wars' saga. Infact, teh original 'battlestar' was hounded by legal issues from the franchise claiming that it had pilfered its ideas from Lucas's monstrous beast. This, however was not an issue when in 2003 'TNG' writer Ronald D Moore and David Eick remained 'Battlestar' for a broader, more intelligent audience. My initial reaction when hearing about the remake was that it was pointless, I was not a fan of the original and could only imagine the worst when it came to a remake of it. I foresaw cheap sets, bad acting, cheap effects and clichéd dialogue, something which I never intended to see. Boy was I wrong. 'Battlestar Galactica' (2003-2009) is an absolute blast from just after the slightly shaky beginning all the way through to the closing credits. Each episode is filled with emotion, humour, morally grey choices and darkness. 'Battlestar' is all about its ever so damaged and flawed characters and their will to survive against the odds. Every character has been perfectly cast, and every cast member has the ability to take your breath away at any given moment. The sheer quality of the writing, acting, cinematography and music is all of top notch and incredibly consistent. 

As I said, the series did get off to a shaky start. The pitot (or miniseries) is a tad slow. The writing is there as is are the performances but the pacing is off and not a lot happens. This is quickly forgotten though when episode one of season one starts with '33' an episode tightly constructed and uncomfortably tense. This episode also sets to work the notion that this 'Battlestar' will go places very dark and unsettling. During the closing moments of this episode the series main protagonist (Commander Adama) makes a calculated decision to condem 1,345 innocent human beings to death in order to escape the enemy. This is only the first episode. And all I'm going to say is, its gets better with each season.
Battlestar Galactica gets

5 out of 5
Notable Episodes: 33,  Kobols Last Gleaming, Revelations,  Exodus, You Can't Go Home Again, Pegasus

And thus ends part one of my look into television. Upcoming parts will look at Sitcoms, the genius of Joss Whedon, British contributions and the shows that still grace our screen today.  


Sunday 17 April 2011

Limitless


***WARNING***
THE FOLLOWING REVIEW MAY CONTAIN SPOILERS AND CONTRADICTIONS THEREFORE IT MAYBE UNSUITABLE FOR SOME FUCKS. 跳躍のトラは穏やかにに運命の彼の焼かれた豆を買うために列車に常に乗る .
 ***YOU HAVE BEEN WARNED***


Lets take a moment away from film reviewing and talk about the hot topic of drug addiction. Being addicted to any drug be it Heroin, Cocaine, LSD, Paracetamol, Alcohol, Tobacco or Tabasco is never going to end anywhere good. Once a person is addicted to something it rules their life, if they manage to quit a drug addiction, their life then becomes all about not falling off the band wagon or finding something else to be addicted to. Even relatively minor addictions such as food or pornography have the potential to be life threatening. That is until a magical film called 'Limitless' comes along and explains that if we all took a drug, got addicted to it and learn about the multiple ways it actually benefits us, then we could improve our lives and live happily ever after. 

Thats right folks, 'Limitless' is here to say drugs are good, so lets all shoot up and get high as fuck! Well, at least that's the message I took away from this 'half baked' thriller, but somehow I don't honestly believe that's what director Neil Burger and writer Leslie Dixon were 'shooting' for.

Put simply 'Limitless' is about a depressed writer with writers block who not only is a candidate for overused modern character cliché's but also takes a magic wonder drug that enhances his brain activity to near superhuman limits. While taking this drug he not only cures his writers block but he also completely abandons that original character flaw and established story arch in order to make himself a bunch of money. The trouble being that he becomes addicted to the drug which, if he stops taking it will kill him.

Read into that plot from any viewpoint and it will always show its self to be pants on its head, pencils up its nose, snooker loopy. This would be fine though if the film somehow acknowledged this, but instead 'Limitless' takes itself completely seriously and proceeds to portray its story in a gritty, overly dramatic way.

So direction wise its a dud from the start on the basis that the director can't even establish an appropriate tone or even demonstrate a basic understanding of the story. I can't hold all the blame on Neil Burger for this though seeing as Dixons' script has about as much brains as any given 'American Pie' sequel.

It is clear that 'Limitless' wants to put out a simple "drugs are bad, mkay" message. The main character takes drugs, bad things happen, he has to battle against the drug in order to overcome it and sort his life out. That's all in there, but its been about as well implemented as the story was implemented in the two 'Matrix' sequels. In order for any anti drug story to work, the drug itself needs to be portrayed as something which the main character would have been better off never taking, a point that 'limitless' misses the mark by quite a remarkable distance.

On the plus side to all of this the acting contained within the film is pretty solid. Bradley Cooper proves that he can be a credible leading man. That is when he's not cowering in the shadow of the colossus that is Robert De Niro who effortlessly dominates the proceedings by appearing in only a handful of scenes. Even Abbie Cornish supplies a decent amount of credibility to what is essentially a simple girlfriend role.

Another plus point to the film is that way it was shot. Pleasing shot compositions, changeable colour schemes and some artistic representation all contribute to what I thought was a pretty great film to look at. Especially when compared to my recent viewing of 'Sucker 'Punch' which tried and failed to do what's done here with considerably more budget and experience.

The be all and end all is this, 'Limitless' is the kind of film that has some decent ideas but doesn't have a clue what to do with them. Its like taking a bunch of complimentary colours, throwing them up in the air and ending up with a brown, gunky, mess. I just hope that Charlie Sheen doesn't see this film, it really would support all of his bullshit statements from the past months, and he doesn't need any more encouragement.

Limitless gets...
1.5 out of 5